I listened to a number of CCM artists recently for an article I was writing for The Hymn, and what surprised me was how often they quoted the words of well-known hymns. Jars of Clay, Kirk Franklin, Selah, DC Talk, Newsboys, all slip easily from pop vernacular into the heightened language taken directly from Isaac Watts, Charles Wesley or Fanny Crosby.
At first, I found it odd, even though I knew the work of some of them. Where does this come from? Isn't the idea of “contemporary” music to be, well, contemporary? Aren't contemporary artists supposed to be exploring a contemporary language of worship along with the contemporary musical idiom they are exploring?